“You have to finish. There is no other option.”
These words were spoken to me by the renowned painter and illustrator Donato Giancola at the beginning of the Illustration Master Class. This year’s IMC was my very first as an attendee and I was curious as to how many students actually finished their painting in one week’s time. I already knew that the IMC was basically a crazy illustration blitz in which students of all skill levels learn an incredible amount of technical and conceptual skills with world class faculty in one week. What I was unsure of was how many students actually manage to finish a painting from start to finish in that time. I’d seen other people post their unfinished paintings from IMC to Facebook, talking about how much they’d learned and how they hoped to finish their work with the help of their newfound knowledge from the class.
Painting models from life is a precious thing. Over the years, I’ve learned just how rare it is to find a painting group that meets on a weekly basis. Several things must converge: a studio space large enough to hold several artists needs to be available (no easy thing in the Bay Area), professional models need to be willing to sit for long periods, a chief organizer needs to wrangle said models and artists together, and schedules need to be available that permit for said wrangling. It also helps if everyone gets along too!
I was invited to participate in a group exhibition at Sketchpad Gallery in San Francisco, titled “100.100.100”. The theme of the show was simple: 100 artists, each creating a single piece at 10″ by 10″, or 100 square inches.
I’m pleased to announce that my painting “Forbidden Knowledge” was accepted for inclusion in the annual art competition Infected by Art, Volume 5! What is most interesting about this is that Forbidden Knowledge is actually a paint over of a canvas I originally conceived four years ago, titled “Sage.”
In one week, I will be touching down in Pennsylvania for Illuxcon 9. I couldn’t be more excited!
I returned to Latvia a second time this year and was entranced by the glorious castle ruins there yet again.This time, I had a chance to visit the Latvian National Museum of Art and was delightfully surprised to find that Latvian artists from the past had also painted the same exact ruins that I have become enamored with.
I finished a complete color chart of my current palette a few weeks ago and have been meaning to write a post about the process. It was funny for a little while – people would ask me what I was working on in my studio, and I would answer, “Mixing paint. Making color charts.” It […]
I recently constructed a painting rack for my studio where my work can dry above the ground. Since I work on canvas mounted to gator board panels, I needed an easy way to store them without stacking them directly on top of each other where paintings could smudge or scratch each other.
My latest painting, “Guardian” was a new exploration into character and environment. For me, the setting is akin to another character in an ongoing story, rather than a simple backdrop that plays second fiddle. I went through a lot of mockups to figure out how to best interweave these two elements and spent a whole day […]
I’ve been continuing my practice of painting portraits from the model at a weekly session with some friends in Oakland. Every 4 hour session is a new chance to try something new and I am finally beginning to see some improvement since last fall when I started attending.